Tom Molanphy
Freelance Journalist
Freelance Journalist
Tom Molanphy's journalism has appeared in 48 Hills, USA Today Travel.com, The Frisc, Earth Island Journal, and The San Francisco Chronicle. His essay "The Road Less: John Huston, Blue-Footed Boobies and Me" earned a 2017 BATW award, and his short story "Of Subareas and Public Bathrooms" was included in the California Prose Directory. His memoir "Loud Memories Of A Quiet Life" is available through OutPost19 Press. He is a member of the Society of Environmental Journalists and teaches journalism, creative writing and composition at the Academy of Art University in San Francisco.
Friends of the Urban Forest tries slowly to restore an urban canopy in a neighborhood with little greenery.
After a busy farmers' market at the Southeast Community Center, artist Malik Seneferu described how his hard past helped paint a brighter future.
Tom Molanphy is writing about his journalism takeaways.
The developer and the city insist the Hunters Point Shipyard is safe for development. There's a lot of data that says otherwise. Part III of a series.
The one-time economic engine of the 'Harlem of the West' has become an environmental disaster area—and the city isn't taking it seriously.
Part II: As artists move into the former base, the level of contamination reaches the point where 'if it can't be cleaned, stay the hell out.'
Part One: The one-time economic engine of the 'Harlem of the West' has become an environmental disaster area—and the city isn't taking it seriously.
A Superfund site in San Francisco has long been eyed for future affordable housing. But is the land safe to build on?
A childhood in Soviet Ukraine, a toxic military site, the former Mount Avisadero— multitude of histories in work of 300 artists